"Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings." — Kandinsky How do we ‘see’ music, or ‘hear’ images? From Newton’s colour scales assigning tones to the rainbow, artists and composers have long explored the deep connections between sound and vision. Kandinsky’s Compositions and Improvisations; Klee’s polyphonic paintings, and Scriabin’s synaesthetic craft all reveal the scintillating interplay of visual and sonic art. This lecture traces their co-evolution and shared language, from spectral composers to technological translations of light into rhythm and melody, uncovering the hidden spectrum where music and colour intertwine.
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Gresham College
