Since making her debut in Hong Kong action films in the mid-’80s, the now 60-year-old Michelle Yeoh has battled Jet Li in The Mummy: Tomb of the Dragon Emperor, flung herself onto a moving car driven by Jackie Chan in Supercop, and jumped off a skyscraper with Pierce Brosnan’s James Bond in Tomorrow Never Dies. She had major roles in Crouching Tiger, Hidden Dragon; Memoirs of a Geisha; and Crazy Rich Asians. She’s done Marvel, Star Trek, Kung Fu Panda, Minions—Avatar, Transformers, and The Witcher are next. But, until Everything Everywhere All at Once, which premiered in March, she had never been No. 1 on a Hollywood call sheet. She’s clear about why: Asian actors have long been given stereotypical or inconsequential roles, and rarely top billing.
“It shouldn’t be about my race, but it has been a battle,” she says, golden baubles on her jacket clanging as she mimics elbowing her way through a crowd. “At least let me try.” Which is why the role of Evelyn Wang in Everything Everywhere All at Once was such a revelation. In the hit art-house film directed by Daniel Kwan and Daniel Scheinert (known as Daniels), Yeoh is an overworked, over-burdened immigrant wife and mother facing an IRS audit of the family laundromat when, suddenly, everything changes. She learns that there are multiple versions of the universe, and they’re all facing a threat that only she can stop—if she can figure out how to jump between different realities and pick up skills possessed by different versions of herself. Yeoh has the opportunity to showcase all of her talents—as a martial artist but also, in portraying Evelyn’s deep love for her family, even as she struggles to communicate with them, her abilities as a dramatic actor. It’s a shift for the actor, who toggles between wacky sequences, like a world where humans have hot dogs for fingers, and intimate moments.
“She usually plays masters, tough fighters,” says Jet Li. “The action—I know she can do it. But really acting from the heart, believing the part, makes the movie very special.”
